He sounds so dismayed at his loss you get the sense that he too was a nonbeliever. вЂњFirst time I seen the Patek glisten/They did not believe the vision,вЂќ he coos with satisfaction. When done right, that juxtaposition of success and pain adds ballast to his flexes, as on his Cardi tribute вЂњDonвЂ™t Lose Me.вЂќ Alluding to CardiвЂ™s storied self-reliance, he recalls his early appreciation of her wrist. вЂњHow IвЂ™m supposed to take it?/Niggas dyin вЂround the same time I had a baby,вЂќ Offset raps. The deeper he goes, the more his memories bleed into each other. Songs like вЂњ Red RoomвЂќ and вЂњHow Did I Get HereвЂќ have the unsettling discontinuity of the memory elevator in Inception. He toggles between images so abruptly that you feel the spaces between them. This split-screen storytelling, always emphasizing distance and closeness, allows him to trade linear narrative for a montage. вЂњIn the pen when she pushed you out,вЂќ he says of her birth. His apology to his daughter Kalea is so concise itвЂ™s vivid. He uses Auto-Tune to make his voice wobble and fizzle and ends up somewhere between a yelp and a moan. As he mentions his kids by name, heвЂ™s so audibly uncomfortable it feels like heвЂ™s on death row. The title track, an apology to his four children by four women, is elusive and compressed. Offset is so naturally guarded and private that he approaches his life nervously and obliquely. Dovetailing with his admiration of Cardi, who excels at navigating fame, this newfound confidence has emboldened him to open up.ДЇather of 4 is, at best, a proof of concept. вЂњI bring that pain and that rough side that some people are scared to go on,вЂќ heвЂ™s summarized. Rapped in choppy barks, his flexes shine and cast shadows, invoking losses alongside the gains. This turbulence has come to define his style, the tortured menace to QuavoвЂ™s glossy cool and TakeoffвЂ™s stoned zen. From his untimely jail bids to his stormy courtship, marriage, and separation from Cardi B, heвЂ™s felt the white-hot intensity of the spotlight and the coldness of its absence. In public and private, Offset has had the rockiest ride of all the Migos. Though itвЂ™s ultimately undermined by its inertia and lack of focus, the record offers glimpses of Offset as a compelling storyteller and bluesman. Tinged with paranoia, shame, and anxiety, his debut solo album Father of 4 depicts the murkier side of the groupвЂ™s ascent. But for Offset, the jet lag hasnвЂ™t worn off. Their two blockbuster albums, 2017вЂ™s Culture and 2018вЂ™s Culture II, downplayed that sense of culture shock by framing the groupвЂ™s rise as a long-awaited coronation. Their tagline, вЂњYRN,вЂќ is a boast, a thanksgiving, and a punchline all at once: Young, wealthy, and black? In America? Shit, IвЂ™d have my doubts too. But that lasting whiplash, that nagging proximity to life before fame, is the essential Migos experience. The question feels quaint in a world where politicians dab and BeyoncГ© raps about Pateks and Lamborghinis. вЂњHow long you think we gonna last?вЂќ the Migos member asked a journalist in 2014. It has its moments OffsetвЂ™s flow is the best a Migos-associated project has ever possessed on вЂњLick,вЂќ вЂњFather Of 4вЂќ and вЂњ Red RoomвЂќ are passionate, autobiographical recollections of his proudest and most traumatic moments, showcasing some noteworthy songwriting, and he even gives a glimpse into the latest round of relationship drama with Cardi B on the defiant вЂњ Clout,вЂќ which features one of CardiвЂ™s most snarling verses.Before Quavo was a huncho, he was a doubter. The formula is how theyвЂ™ve achieved everything they have so far thereвЂ™s something comforting about knowing what youвЂ™re going to get with each release, even with the small tweaks that Offset himself makes to the formula on his debut.Д«ut even though itвЂ™s the most emotional, vulnerable, personal project of the three Migos solo projects, it can still feel like nothing more than just another piece of Migos Phase 2. Quality Control is a company that knows what works for this marketplace and their target audience, and the thing keeping Migos and the other rappers on the label from achieving classic status isnвЂ™t a lack of quality or even the use of a formula. ItвЂ™s middlingly appealing, a rap album that, to the uninitiated, wonвЂ™t look or sound like much more than a trinket that they can toss away without a second thought. Much like most of MigosвЂ™ music, it doesnвЂ™t seem to reach much for that gold standard of a rap вЂњclassic,вЂќ even as it tacks on some of the signifiers of one. OffsetвЂ™s debut album, Father Of 4, feels a lot like itвЂ™s aiming for that third category.

Offset father of 4 reviews